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http://www.clublez.com/movies/lesbian_movie_scenes/o/other_woman_the/index.html
Actresses:
Victoria Deuschle & Regina Geisler
Beaman remembers a part of her past when she was a teenager and her mother was scolding her and telling her that she must "stay pure like a good Christian girl.... stay away from temptation". Then, in another flashback, she remembers walking in on her mother having sex with another woman.
Her mother (Victoria Deuschle) is a blonde, her lover (Regina Geisler) is a brunette. As young Beaman cracks open the door, Geisler is on top Deuschle eating her out. Then she goes up and kisses Deuschle, licks her breasts, and goes back to going down on her. This sequence repeats from a different angle, but the most important thing is that Beaman's mom then notices her daughter at the door, is a little peeved, but doesn't react in anyway to stop the lovemaking. Wide-eyed young Beaman is stunned at the display and closes the door.
This important scene ends as modern-day Beaman lays on her bed in a fetal position, upset about this memory and its effect on her. This "skeleton" in her closet will have an important effect on her later in the movie.
Actresses:
Victoria Deuschle & Regina Geisler
Beaman remembers a part of her past when she was a teenager and her mother was scolding her and telling her that she must "stay pure like a good Christian girl.... stay away from temptation". Then, in another flashback, she remembers walking in on her mother having sex with another woman.
Her mother (Victoria Deuschle) is a blonde, her lover (Regina Geisler) is a brunette. As young Beaman cracks open the door, Geisler is on top Deuschle eating her out. Then she goes up and kisses Deuschle, licks her breasts, and goes back to going down on her. This sequence repeats from a different angle, but the most important thing is that Beaman's mom then notices her daughter at the door, is a little peeved, but doesn't react in anyway to stop the lovemaking. Wide-eyed young Beaman is stunned at the display and closes the door.
This important scene ends as modern-day Beaman lays on her bed in a fetal position, upset about this memory and its effect on her. This "skeleton" in her closet will have an important effect on her later in the movie.
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